PR 4987 
.M7 B4 
1847 
Copy 1 



r 



ODERN STANDARD DRAMA 

EDITED BY EPES SARGENT. 
No. LIIl. 



BERTRAM. 



31 Srageirg 



IN FIVE ACTS. 



BY REV. CHARLES MATURIN 



WITH THE STAGE BUSINESS, CAST OF CHARACTERS, 
RELATIVE POSITIONS, ETC. 



NEW YORK: 
BERFORD & CO., No. 2 ASTOR HOUSE. 

boston: redding and CQ. — PHILADKLPHIA : ZIEBER AND CO.. T, B. PE- 
TERSON, AND S. G. SHERMAN. — PITTSBURGH: M. P. MORSE. — CHARLESTON: 
AMOS HEAD. — CINCINNATI: RaBINSON AND JONES. — MOBILE: M. BOULLE- 
»IET. — LOUISVILLE: JAS. H. PENTON.—=NEW ORLEANS : J.C.MORGAN. — WIL- 
MINGTON, N. C. : S. H. PIERCE. — ST. LOUIS : NAFIS, CORNISH, AND CO. — RO- 
CHESTER : D.M.DEWEY. — BALTIMORE: WM. TAYLOR AND CO. 



PRICE 12i CENTS. 



TO THE THEATRICAL PROFESSION. 



CORBYN'S 

Dramatic and Musical Agency, 

No. 2 BAK£!LAY STREET, New York, 



(Under the Astor House.) 



W. Corbyn respectfully informs Manajrers of Theatres, Members of 
the Theatrical Profession, Musicians, and Stars about to visit, or now 
travelling through the United States, that he has opened an office at 
the above address, for the transaction of all business connected with 
the Theatrical and Musical Professions, including Special Agency for 
'i'heatres, Negociations between Managers and Actors, engagement of 
Artists in every department, the purchase and importation of Books, 
Music, Dresses and Properties, with every other branch of Dramatic 
Agency. W. C. will also attend to the prepai-atory arrangements of 
getting up Concerts, or other exhibitions, for Artists who are uuac- 
quamted with the routine of New York. 

It is impossible, in the commencement of an undei't.vking of this 
kind, to cai-ry into immediate effect the whole plan of operations ; but 
with tlie assistance of his professional friends in Eurcr|)e and America, 
W. C. believes he shall be able in a short time to establish on a i)er- 
manent basis, an Agency Office, offering, among other advantages, 
the following accommodations to the Profession : 

1st A Register, wherein may be fonijtJ full and correct lists of tlic Ccupaiiios in j 
fivery Theatre in the United States and the Caiiadas, with complete files of biUa of 
the performances at each. 

2d. Copies of all new pieces as soon as pubHsIred linre. or received from England, 
for the early receipt of which arrangemcnta have bei'n made with a compctcut 
Ajfeut resident in London. 

3d. Actors travollinff tiiroucrh the Country, (being Subscribent,) ntnyhavK their 

letters addressed to this office, whence they will be iinn>eiJiatcly forwnnledto them, 

at whatever Theatre tliey may then be, thus avoiding the delay and loss, which so 

I frequently occur to travelling Actors, in consequence of tneir frequent change of rc- 

•idcnce. 

4th. Actors, Musicians, Dancers, or other Professional Artists, visiting America, 

can obtain full and autlientic information on all subjects connected with travelling 

profo.ssionally, in any part of tiiis Continent, W. Corbyn having, during hit profcs- 

I »ional journeys through almost every section of the United States, and the Canadas, 

' and a portion" of the West Indies, made himself acquainted with the moat important 

facta ami statistics required by Professional Travellers. 

5th. Managers or Actors requiring Mosical Arrangements, adaptations or local- [ 
i izatioHS of Operas, Musical Dramas, Burlesques, Concerted Pieces, or Songs, can be 
accommodated at short notice for Orchestras or Bandb of any number, an arrange- 
ment for this purpose liaring beau entered into with a geutieinau of the higlietft 
grade in the musical profession. 

N.B. No Letters, Packages, or Parcels whatever, will be taken 
from the Post Office, or the Express Agents, unless pre-paid. Thid 
rulo will be rigidly adhered to. j| 

W. CORBYN, 2 Barclay Street, N. Y. | 



£,S^il 



MODERN STANDARD DRAMA 

EDITED BY EPES SARGENT. 
No. LIIl. 



■* # / 



■*€• Ti 




B E R T R A M : 



^crag^ba/^^ fe.-/^:. 



IN FIVE ACTS. 

BY REV. CHARLES MATURIN. 



^-\ 



WITH THE STAGE BUSINESS, CAST OF CHARACTERS, 
RELATIVE POSITIONS, ETC. 



NEW YORK: 

BERFORD & CO., No. 2 ASTOR HOUSE. 
1847. 







%1 



[Entered according to Act of Congress, in the year 1847, by John 
Douglas & Epes Sargent, in the Clerk's Office of the District 
Court of the Southern District of the State of New York.] 






1 V . . ^^ '..'>- 



^ % 



,- . : .V - /* ' "-* ' 



. \ 






EDITORIAL INTRODUCTION. 

WHE^' Sir WaU cr Scott had forwarded Maturings tragedy of 
" Bertram-^ to Lord B^'ron, at tliat time a member of the com- 
mit tee of Drury Lane^ his lordship, struck with its merits, had 
it immediately prepared for representation. It success was sud- 
den and immense. At that time, although known as an author 
from the period of his publishing " Montorio," while yet almost 
a youth, he was but a poor and struggling curate, with a young 
and increasing farnih', possessed of extremely polished tastes 
and elegant habits, which cannot be indulged in without expense. 
On his arrival in London, he was very much flattered and caress- 
ed by some persons of rank on the committee of the theatre ; 
and being invited to their houses, he was captivated by the 
agrewxns of their societ}' — the splendour and elegance that sur- 
rounded them ; and his corresponding taste made him imagii\e 
that he could transfer something of this on his return to his own 
residence, and that he could be the cause and centre of jmrsuits 
and pleasures similar to those that had attracted him. Having 
derived considerable emolument from the author's night and 
copyright of "Bertram," and deeming now that a source of un- 
failing independence w-as opened to him, he proceeded to furnish 
his house in a style of extravagant elegance and expense, and to 
give entertainments.* The walls of his parlors were done in 
panels, with scenes from his novels, painted by an artist of some 
eminence ; the richest carpets, ottomans, lustres, and marble 
tables ornamented the withdrav.-ing-rooms ; the most beautiful 
papers covered the walls, and the ceiHngs were painted to repre- 
sent clouds, with eagles in the centre, from whose claws depend- 
ed brilliant lustres. But, alas ! nothing is more uncertain than 
dramatic writing. The best dramatists produce five failures to 
one successful piece. Maturin's subsequent dramas, Don 
Manuel and Fredolfo, added neither to his fame, norhis income. 
He became embarrassed ; and was obliged to write laboriously 
for bread. 



IV EDITORIAL IXTTtODUCTION. 

Notwithstanding liis dramatic labors, Maturin is said to have 
been universally beloved by his parishioners, who were proud 
of having a man of such talents in their pulpit ; although the 
more rehgious lamented what they considered the false direction 
of those talents, and others reprehended or ridiculed his attach- 
ment to public amusements, his eccentric dress, and his passion 
for dancing; yet his gaiety of manner, fascinating conversation, 
and gentle, good-natured disposition, disanned even prudent 
censure of its bitterness, and often converted blame to admira- 
tion. His curacy was that of St. Peter, in Dublin — the parish 
in which he was resident. He died in that city, October 30th, 
1824. 

Edmund Kean was the original Bertram. The part was well 
suited to the fiery, impetuous style of that remarkable actor ; 
and he gained a celebrity in it, which has been attained by no 
subsequent personator of the character. Although the incidents 
of this tragedy cannot be called unnatural, considered in connec- 
tion with the clime and the race, where, and among which they 
occur, yet they are such as modern refinement would exclude, 
if possible, from the stage. The popularity of the piece has 
consequently suffered some abatement ; though this may be 
owing, in part, to the absence of an actor with those Kean-like 
qualities, which could give us a fitting embodiment of the out- 
lawed Count. Not many years since, a fearful interest was given 
to the denouement of the tragedy, at its representation in a 
Western city — Natchez, we believe. Either from accident, or 
design, the actor, a young man, who had performed the part with 
exceeding spirit, on coming to the last lines — 

'• I died n.0 felon's death — 

A wairior's weapon freed a warrior's soul !" — 

gave reality to the scene by stabbing himself, and falling dead 
upon the stage. 

Bertram was originally produced. May, 1816, at Drury Lane 
Theatre. Miss Somerville was the original Imogine, and is 
said to have contributed much to the success of the piece, which 
was performed twenty-two nights during the remainder of the 
season, and four nights the season that followed. 



CAST OF CHARACTERS. 



St. Aldobiaiid, 

Bertram, 

Prior, 

1st Monk, 

2d Monk, 

Sd Monk, 

4th Monk, 

1st Robber, 

2d Robber, 

'3d Robber, 

Page, 

Child, 

Imogiae, 

Clotilde, 

Teresa, 



Park, 1844 
Mr. Jamieson. 

" Booth. 

" Gann. 

" Lovell. 

" Crocker, 

" Bridges, 

" Freeland. 

" Povey. 

" Gallot. 

" King. 
Miss Knilock. 

" King. 
Mrs, Slomau. 

" Lovell. 

" Biirrows. 



COSTUMES. 

ST. ALDOBRAND. — Full suit of gold arnioiu-, surcoat, and helmet. 

BERTRAM. — Brown shirt and drapery, cross-bar steel breastplate, 
flesh leggings and anus, sandals, &c, 

PRIOR. — Brown monk's gown, large black cape, fleshings, and san- 
dals. 

MONKS.— Black gowns, fleshings, and sandals. 

ROBBERS. — Dressed as Bertram, but inferior in quality. 

PAGE. — Buff shirt and scarlet scarf, small buff boots. 

CHILD. — Dressed in wliite. 

KNIGHTS.— Full silver armour, helmets, &c. 

TMOGINE. — Moreen velvet dress, trimmed with gold. 

CLOTILDE. — White satin dress, trimmed with point lace. 

TERESA.— Ditto. 



EXITS AND ENTRANCES. 
R.. means Right; L. Left; R. D. Right Door; L. D. Left Door; 
S. E. Second Entrance; U. E. Upper Entrance; M. D. Middle Door. 
RELATIVE POSITIONS. 
R., me?^w% Right; I.., Left; C, Centre; ^. C, Right of Centre; 
L. C, Left of Centre. 



BERTRAM, 



AC T I. 

Scene I. — Night. — A Gallery in the Convent of St. An- 
selm — a large Gothic Window in the c. of it, through 
which the lightning is seen fashing — a Gothic door, r. 
A door, L. Thunder, lightning, rain, and wind. 

Enter First and Second Monks, iii terror, at the door, l. 

1st Monli. Heaven for its mercy ! — what a night is here ! 
Oh ! didst thou hear that peal 1 

2d Monk. The dead must hear it. \A 2^o.use — thunder. 
Speak ! speak, and let me hear a human voice ! 

1*^ Monk. While the dark terror hurtled distantly, 
Lapt in tke skirts of the advancing clouds, 
I cowered with head full low upon my pallet, 
Till the strong light 

Did, clear as noonday, show each object round me. 
Relic, and rosary, and crucifix. 
Did rock and quiver in the bickering glare — 
Then forth I rushed, in agony of fear. 

2d Monk. Among the tombed tenants of the cloister, 
I walked and told my beads ; 
But, by the momently gleams of sheeted blue, 
Did the pale marbles glare so sternly on me, 
'I almost deemed they lived, and fled in horror! 

\st Monk. There is much comfort in a holy man 
In such an hour as this. [K?iocking, r, d.J Ho ! wake thee, 
Prior ! 

2d Monk. Oh ! come forth, holy Prior, and pray for us ! 



BiiKTKAM. 



[Act I. 



Enter the Prior, at the Gothic door, r. d. 

Prior. All peace be with you ! — 'Tis a fearful hour. 

1*^ Monk. Hath memory a parallel to this 1 

1st Monk. How hast thou fared in this most awful time ? 

Prior. [Crossing, c] I bowed me at the cross for those 
whose heads 
Are naked to the visiting blasts of Heaven, 
In this, its hour of wrath — 
For the lone traveller on the hill of storms, 
For the tossed shipman on the perilous deep ; 
Till the last peal, that thundered o'er mine head, 
Did force a cry of — mercy for myself! 

1st Monk. Oh ! holy Prior, this is no earthly storm. 
The strife of fiends is on the battling clouds ! 

Prior. Peace, peace — thou rash and unadvised man ! 
The hand of Heaven, not man, is dealing with us, 
And thoughts like thine do make it deal thus sternly. 

E?ifer Third Monk, pale and breathless, l. d. 

[Crossi?ig to Third Monk.] Speak! thou hast something 
seen ! 

3d Mo7ik. A fearful sight ! 

Prior. What hast thou seen 1 

od Monk. A piteous, fearful sight ! 
A noble vessel, labouring with the storm, 
Hath struck upon the rocks beneath our walls ; 
Her deck is crowded with despairing souls,.. 
And, in the hollow pauses of the blast, 
We heard their penshing cries. 

Prior. Now haste ye forth — haste all ! 

3^ Monk. It cannot be — it is too late ; 
One hour will hush their cries, and by the mom 
Thou wilt behold the ruin — wreck and corse, 
Float on the weltering wave ! 

Prior, (c.) Wave high your torches on each crag and 
cliff- 
Let many lights blaze on our battlements — 
Shout to them in the pauses of the storm. 
And tell them there is hope ! — 
And let our deep-toned bell its loudest peal 
Send cheerily o'er the deep ; 



ScBNK 1 1. J BERTRAM. 9 

'Twill be a comfort to the wretched souls, 
In their extremity. All things are possible ; 
Fresh hope may give them strength, and strength deliver- 
ance ! 
I'll hie me forth with you. [Crosses^ l. 

2d Monk. Wilt thou go forth ? 
Hardly the vigorous step of daring youth 
May hold its footing on those wave-washed crags ; 
And how wilt thou abide ! 

1*^ Monk. 'Tis tempting Heaven ! 

Prior. To succour man, not to tempt Heaven, I go ! 
Heaven will protect its servant ! [Exeunt, l. d. 

Scene II. — T/te Sea-Shore. Rocks, l. y. e. TAe Convent 
illuminated in the background, r. u. e. A Storm — thun- 
der and lightning. The bell tolls at intervals. A Ship 
sinking. A group of Monks discovered on the rocks with 
torches. 

Enter the Prior and First Monk, l. s. e. 

Prior. [Claspirig his hands, l. c] Holy St. Anselm ! 

what a sight is here ! 
1st Monk, (l.) Pray for their souls — their earthly part 

is doomed ! 
Prior. Oh ! that a prayer could hush the elements ! 
Hold ! I do espy a hope, a blessed hope — 
That wave hath heaved her from the rock she struck on, 
And every arm on board is plied for safety ! 

1*^ Monk. Lo ! the recoiling surge drives fiercely o'er 
her ! 
In, holy Prior, or ere their drowning shriek 
Do rive the sense — in, in, and tell thy beads ! 

Prior. I will not in, while to that hopeless wreck 
One arm doth cling — while o'er the roaring waste 
One voice be raised for help — I will not hence ! 

Monk. \On the rocks, l. u. e.] She sinks — she sinks ! 
Oh, hour of woe and horror ! 
[The Prior falls into the arms of the First Monk, and 
the Scene closes. 



10 BFETRAM. [Act I 

Scene 111. — The Gallery, as in Scene 1. 

Enter Fjrst Monk and the Prior, l. d. 

\stJ\Io7ih. (l.) Now rest you, holy Prior, you are much 

moved — 
Prior, (r. c.) [Not heeding him.] All — all did perish ! 
1*/ Mojih. Change those drenched weeds — 
Prior. I wist not of them — Every soul did perish ! 

Enter Third Monk, hastily, l. 

3dMon7c. No ! there was one did battle with the storm 
With careless, desperate force ; full many times 
His life was won and lost, as though he recked not — 
No hand did aid him, and he aided none — 
Alone he breasted the broad wave, alone 
That man was saved. 

Prior. Where is he 1 lead him hither. 

Enter two Monks, leading in the Stranger, l. d. 

Praise to St. Anselm, thou redeemed soul, 
Raise high thy living voice in prayer and praise ! 
For wondrous hath his mercy been to thee. 

2d Monh. (c.) He hath not spoken yet. 

Stran. Who are those around me 1 v/here am 1 1 

Prior. On the shore of Sicily. 
The Convent of St. Anselm this is called; 
Near is the Castle of Lord Aldobrand. 

[The Stra7\ger7?iahes an effort to break fiom the Monks, 
hit falls, through zceakness, into their arms. 
A name far known, if, as thy speech imports, 
Thou'rt of Italian birth. Tell us thy name. 

Stran. A man of woe. 

Prior. What is thy woe, that Christian love may heal 
if? 
Hast thou upon the pitiless waters lost 
Brother, or sire, or son ? — Did she thou lovest 
Sink in thy straining sight 1 — 
Or have the hoardings of thy worldly thrift 
Been lost with yonder wreck ? 

[To these questions the Stranger gives signs of dissent. 
Why dost thou, then, despond ? 



ScekeIV.T blrtram. 11 

Stra??. Because T live ! 

Prior. Look not so wild. Can we do aught for thee] 

Stran. Yes ! plunge me in the waves from which ye 

snatched me ! 
Prior. I'll question not with him, his brain is wrecked; 
For ever in the pauses of his speech, 
His lip doth work with inward mutterings, 
And his fixed eye is rivetted fearfully 
On something that no other sight can spy. 
Food and rest will restore him :" lead him in. 

[The Monks attempt to lead liim towards the Gothic 
door, R. 
Stran. \ Dashing theinaioay}^ Off! ye are men !— there's 
poison in your touch ! — 
But I must yield, for this hath left me strengthless. 

[He sinks, exhausted, into the arms of the Monks, and 
is home off, fainting, r. d., the Prior following. 

Scene IV. — A Hall in the Castle of St. Aldobrand. 
Enter Pietro, l., and Teresa, r., meeting. 

Pie. Ha ! Teresa waking ! Was ever such a tempest 1 

Ter. The lady Imogine would watch all night, 
And I have tended on her. What hath roused thee? 

Pie. Tell me what would give me sleep in such a night. 
I know of but one remedy for fear and wakefulness; that 
is a flagon of wine. I hoped the thunder would have 
waked old Hugo to open the cellar-door for me. 

Ter. He hath left his bed. E'en now 1 passed him 
Measuring the banquet-hall with restless steps. 
And moody, fretful gestures. He approaches. 

Enter Hugo, r. 

Pie. Hugo, well met. Does e'en thy age bear memory 
of so terrible storm 1 

Hugo. They have been frequent lately. 

Pie. They are ever so in Sicily. 

Hugo. So it is said. But storms, when I was young, 
Would still pass o'er like Nature's fitful fevers, 
And rendered all more wholesome. 

Ter. Heaven grant its wrath visit not my kind lady ! 



12 BERTRAM. [Aci I. 

Hugo. Still may she be as happy in these halls, 
As when she tripped the green a rural maid, 
Ere her good father's ruin — 
Or our lord saw and loved her ! 

Pie. [Lootbig off, r.] See, if Madam Clotilda be not 
roused. 

Ter. I'm glad, for she's our lady's loved companion 
And chosen attendant. [Crosses, c. 

Enter Clotilda, r. 

Clo. Is your lady risen 1 

Ter, She hath not rested through the night. 
Long ere the storm arose, her restless gestures 
Forbade all hope to see her blessed with sleep. 

Clo. Since her lord's absence it is ever thus. 
But soon he will return to his loved home, 
And the gay knights and noble wassailers 
Banish her lonely melancholy. [A horn heard without, l. 

Monk. \ Without, l.] What, ho ! 

Hugo. There's one at the gate. 
My fears presage unwelcome messengers 
At such untimely hours. 

Clo. Attend the summons, Hugo. 
I seek the Lady Imogine. If 'tis aught 
Concerns her or our lord, follow me thither. 

[Exeunt, Clotilda and Teresa, r., Hugo and Pietro, l. 

Scene V. — A Gothic Apartment in the Castle of St. Aldo- 
brand — a table, candles, chairs, books, 8fc., r. c. 

Imogine discovered, sittijig at the table, looking at a 'pic- 
ture. 

Imo. Yes, 
The limner's art may trace the absent feature, 
And give the eye of distant weeping faith 
To view the form of its idolatry ; [Rises. 

But, oh ! the scenes 'mid which they met and parted — 
The thoughts, the recollections sweet and bitter — 
Th' Elysian dreams of lovers, when they loved — 
Who shnll restore them ] 
If thou could'st speak, 
J)um]) witness of th^ secret soul of Imot?^in^, 



Scene V.] BERTRAM. 13 

Thou might'st acquit the faith of womankind ; 

Since thou wast on my midnight pillow laid, 

Friend hath forsaken friend, the brotherly tie 

Been lightly loosed, the parted coldly met, 

Yea, mothers have with desperate hands wrought harm 

To little lives from their own bosoms lent. 

But woman still hath loved, if that indeed 

Woman e'er loved like me. 

Enter Clotilda, l. 

CJo. The storm seems hushed : wilt thou to rest, lady % 

Imo. I feel no lack of rest. 

Clo. Then let us stay, 
And watch the last peal murmuring on the blast ; 
1 will sit by the while, so thou wilt tell 
Some moving story to beguile the time. 

Imo. I am not in the mood. 

Clo. I pray thee, tell me of some shadowy thing 
Crossing the traveller on his path of fear 
On such a night as this. 

Imo. Thou simple maid. 
Thus to enslave thy heart to foolish fears. 

Clo. Far less I deem of peril is in such, 
Than in those tales women most like to list to, 
The tales of love — for they are all untrue. 

Imo. Lightly thou says't that woman's love is false, 
The thought is falser far — 

For some of them are true as martyr's legends, 
As full of suffering faith, of burning love, 
Of high devotion, worthier heaven than earth ! 
Oh ! I do know a tale — 

Clo. Of knight of lady 1 

Imo. Of one who loved. She was of humble birth, 
Yet dared to love a proud and noble youth. 
His sovereign's smile was on him, glory blazed 
Around his path, yet did he smile on her. 
Oh ! then, what visions were that blessed one's ! 
His sovereign's frown came next. 
An exiled outcast, houseless, nameless, abject. 
He fled for life, and scarce by flight did save it. 
No hoary beadsman bid his parting step, 
H-od speed ! no faithful vnssal followed him ; 
r. 



14 ' BERTRAM. [ACT I. 

For fear had withered every heart but hers, 
Who, amid shame and ruin, loved him better. 

Clo. Did she partake his lot 1 

Imo. She burned to do it, 
But 'twas forbidden. 

Clo. How proved she, then, her love ? 

Imo. Was it not love to pine her youth away ? 
In her lone bower she sat all day to hearken 
For tales of him, and — soon came tales of woe. 
High glory lost, he recked not what w^as saved ; 
With desperate men in desperate ways he dealt; 
A change came o'er his nature and his heart. 
Till she that bore him had recoiled from him. 
Nor knew the alien visage of her child ! 
Yet still she loved, yea, still Uved hopeless on ! 

[Crosses f l. 

Clo. Hapless lady ! What hath befallen her 1 

Lno. Full many a miserable year hath passed — 
She knows him as one dead, or worse than dead ; 
And many a change her varied life hath known, 
But her heart none. 

In the lone hour of tempest and of terror, 
Her soul was on the dark hill's side with Bertram — 
Yea, when the launched bolt did sear her sense. 
Her soul's deep orisons were breathed for him. 
Was this not love 1 yea, thus doth woman love ! | 

[^Crosses, r. 

Cln. Hast thou e'er seen the dame ] I pray thee, paint \ 

her. i 

Imo. They said her cheek of youth was beautiful ] 

Till withering sorrow blanched the white rose there; i 

And I have heard men swear her form was fair ; i| 

But grief did lay its icy finger on it, 
And chilled it to a cold and joyless statue. j 

Clo. I would 1 might behold that wretched lady | 

In all her sad and waning loveliness. i 

Lno. Thou would'st not deem her wretched ; outward li 

eyes j' 

Would hail her happy. :j 

They've decked her form in purple and in pall ; I; 

AVhen she goes forth, the thronging vassals kneel, [i 

A.nd bending pages bear her footrloth well : ij 



Scene VJ BERTRAM. 15 

No eye beholds that lady in her bower, — 
That is her hour of joy, for then she weeps, 
Nor does her husband hear. 

Ch. Sayst thou her husband \ 
How could she wed, she who did love so well % 

lino. How could she wed ! What could I do but wed 1 
Hast seen the sinking fortunes of thine house] — 
Hast felt the gripe of bitter, shameful want 1 — 
Hast seen a father on*lhe cold, cold earth 1 — 
Hast read his eye of silent agony, 
That asked relief, but would not look reproach 
Upon his child unkind ? 
I would have wed disease, deformity, 
Yea, griped death's grisly form, to 'scape from it ; — 
And yet some sorcery was wrought cm me, 
For earlier things do seem as yesterday, 
But I've no recollection of the hour 
They gave my hand to Aldobrand. 

Clo. Blessed saints ! 
And was it thou indeed % 

Imo. I am that wretch ! — 
The wife of a most noble, honoured lord — 
The mother of a babe, whose smiles do stab me ! 

\ Crosses, l. 

Clo. Hath time no power upon thy hopeless love ] 

hno. Yea, time hath power, and what a power I'll tell 
thee : 
A power to change the pulses of tlie heart 
To one dull throb of ceaseless agony — 
To hush the sigh on the resigned lip, 
And lock it in the heart — freeze the hot tear, 
And bid it on the eyelid hang forever! — 
Such power hath time o'er me. [Crosses, R. 

Clo. And has not, then, 
A husband's kindness — 

Imo. Mark me, Clotilda ! 
And mark me well ! I am no desperate wretch. 
Who borrows an excuse from shameful passion. 
To make its shame more vile. 
I am a wretched, but a spotless wife : 
I've been a daughter, but too dutiful. 
But, oh ! tp.e writliings of a generous soul, 



16 BERTRAM. [Act II 

Stabbed by a confidence it can't return, 

To whom a kind blow is a word on th' heart — 

I cannot paint thy wretchedness ! [Bursts into tears. 

Clo. Nay, nay. 
Dry up your tears ; soon will your lord return ; 
Let him not see you thus by passion shaken. 

Imo. Oh ! wretched is the dame, to whom the sound, 
" Your lord will soon return," no pleasure brings ! 

Clo. Some step approaches. [Looking off, l.] 'Tis St. 
Anselm's Monk. 

Jmo. Remember ! 

Enter First Monk, l. 

Now, what wouldst thou, reverend father % 

\st Monk. St. Anselm's benison on you, gracious dame ! 
Our holy Prior by me commends him to you. 
The wreck that struck our rocks i' th' storm. 
Hath thrown some wretched souls upon his care, 
(For many have been saved since morning dawned) ; 
Wherefore, he prays the wonted hospitality 
That the free noble usage of your castle 
Doth grant to shipwrecked and distressed men. 

Jmo. Bear back my greetings to your holy Prior; 
Tell him, the lady of St. Aldobrand 
Holds it no sin, although her lord be absent. 
To ope her gates to wave-tossed mariners. 
Now Heaven forefend your narrow cells were cumbered, 
While these free halls stood empty ! Tell your Prior, 
We hold the custom of our castle still. 

[Exeunt, Imogine and Clotilda, r.. First Monk, l. 

END OF ACT I. 



ACT II. 

Scene I. — An Apartment in the Convent — a couch, r. c. 

The Stranger discovered sleeping on the couch, and the 
Prior, l., icatching him. 

"Prior. He sleeps — if it be sleep ; this starting trance. 



SC£M£ I.] 



BERTRAM. 17 



Whose feverish tossings and deep-muttered groans, 
Do prove the soul shares not the body's rest. 

[Hanging over him, 
Hovvr the lip works ! how the bare teeth do grind, 
And beaded drops course down his writhen brow ! 
I will awake him from this horrid trance ; 
This is no natural sleep. Ho ! wake thee, stranger! 

Stran. What would'st thou have ? my life is in thy 
power. 

Prior. Most wretched man, whpse fears alone betray 
thee — 
What art thou ] — Speak ! 

Stran. Thou sayst I am a wretch, 
And thou sayest true — these weeds do witness it — 
These wave-worn weeds — these bare and bruised limbs- 
What would'st thou more 1 I shrink not froift the ques- 
tion. 
I am a wretch, and proud of wretchedness ; 
'Tis the sole earthly thing that cleaves to me. 

Prior. Lightly I deem of outward wretchedness, 
For that hath been the lot of blessed saints ; 
But, in their dire extreme of outward wretchedness, 
Full calm they slept in dungeons and in darkness, — 
Such hath not been thy sleep. 

Stran. Didst watch my sleep 1 
But thou couldst gain no secret from my ravings. 

Prior. Thy secrets ! wretched man, I reck not of them ; 
But I adjure thee, by the church's power, 
(A power to search man's secret heart of sin,) 
Show me thy wound of soul. 
Weep'st thou the ties of nature or of passion, 
Torn by the hand of Heaven % 
Oh, no ! full weU 1 deemed no gentler feeling 
Woke the dark lightning of thy withering eye. 
What fiercer spirit is it tears thee thus ? 
Show me the horrid tenant of thy heart ! 
Or wrath, or hatred, or revenge, is there — 

\The Stranger suddenly starts from the couch, raises 
his clasped hands, and comes forward^ r. 

Stran. I would consort with mine eternal enemy, 
To be revenged on him ! 

Prior. Art thou a man, or fiend, who speakest thus ? 



18 liEKTKAM. [Act 11. 

Stran. I was a man ; [ know not what I am — 
What others' crimes and injuries have made me — 
Look on me ! What am 1 1 [Advances, c. 

Prioi-. [RetreatiTig to l. corner.^ I know not. 

Stran. I marvel that thou say'st it, 
For lowly men full oft remember those 
In changed estate, whom equals have forgotten, 
A passing beggar hath remembered me, 
Wlien with strange eyes my kinsmen looked on me. 
I wore no sullied weeds on that proud day, 
When thou, a bare-foot monk, didst bow full low 
•FoT alms, my heedless hand hath flung to thee. 
Thou dost not know me ! [Appi'oaclung Imn. 

Prior. Mine eyes are dim with age — but many thoughts 
Do stir within me at thy voice. 

Sfrav. List to me, monk. It is thy trade to talk, 
As reverend men do use in saintly wise, 
Of life's vicissitudes and vanities. 
Hear one plain tale that doth surpass all saws — 
Hear it from me — Count Bertram ! — ay, Count Bertram ! 
The darling of his liege and of his land, 
The army's idol, and the council's head — 
Whose smile was fortune, and whose will was law — 
Doth bow him to the Prior of St. Anselm 
For water to refresh his parched lip, 
And this hard-matted couch to fling his limbs on ! 

Prior. Good Heaven and all its saints ! 

Bertram. Wilt thou betray me 1 

Prior. Lives there the wretch beneath these walls, to 
do it "? 
Sorrow enough hath bowed thy head already, 
Thou man of many woes. — 
Far more 1 fear lest thou betray thyself. 
Hai-d by do stand the halls of Aldoljrand, 
*(Thy mortal enemy and cause of fall,) 
Where ancient custom doth invite each stran q;er, 
Cast on. this shore, to sojourn certain days, 
And taste the bounty of the castle's lord. 
If thou goest not, suspicion will arise^ 
And if thou dost, (all changed as thou art,) 
Some desperate burst of passion will betray thee, 
And end in mortal scathe — [A pause. 



Scene IL] BEIITRAM. 19 

AVhat dost thou gaze on with such fixed eyes 1 

Ber. What say est thou "? 
I dreamed I stood before Lord Aldobrand, 
Impenetrable to his searching eyes — 
And I did feel the horrid joy men feel 
Measuring the serpent's coil, whose fangs have stung 

them ; 
Scanning with giddy eye the air-hung rock, 
From which they leapt and live by miracle ; — 
To see that horrid spectre of my thoughts 
In all the stern reality of life — 
To mark the living lineaments of hatred. 
And say, this is the man whose sight should blast me; 
Yet, in calm, dreadful triumph, still gaze on : — 
It is a horrid joy. [Crosses, l. 

Prior. Nay, rave not thus, 
Thou wilt not meet him ; many a day must pass, 
Till from Palermo's walls he wend him homeward, 
Where now he tarries with St. Anselm's knights* 
His dame doth dwell in solitary wise, 
Few are the followers in his lonely halls — 
Why dost thou smile in that most horrid guise 1 

Bcr. [Repeating.] His dame doth dwell alone !' Per- 
chance his child — 
Oh ! no, no, no ! it was a damned thought. 

Prior. I do but indistinctly hear thy words. 
But feel they have some fearful meaning in them. 

Ber. Oh, that I could but mate him in his might ! 
Oh, that we were on the dark wave together, [Crosses, R. 
With but one plank between us and destruction. 
That I might grasp him in these desperate arms, 
And plunge with him amid the weltering billows, 
And view him gasp for life ! — and — 
Ha ! ha ! — I see him struggling ! — 
I see him !— ha ! ha ! ha ! ' [A frantic laugh. 

Prior. Oh, horrible \ 
Help ! — Help to hold him, for my strength doth fail ! 

Enter two I^j^ks, r. — tliey svjyport Bertram. 
Enter First Monk, l. 
1st Monk. The lady of St. Aldobrand sends greeting— 



20 BtUniAM. [Act II. 

Prior, Ob, art thou come ; this is no time for greeting — 
Help — bear him off — thou see'st his fearful stale. 

[Exeunt, hearing off Bertram^ r. 

Scene II. — A Hall in the Castle of S.i. Aldohrand, 

Enter Hugo, l., sJiowing in Bertram's Comrades. 

Hugo. This way, friends, this way, good cheer awaits 
you. 

1*^ i^ail. Well, then, good cheer was never yet bestowed 
On those who need it more. 

Hugo. To what port bound 
Did this fell storm o'ertake you 1 

\st Sail. No matter, 
So we find here a comfortable haven. 

Hugo. Whence came you 1 

1st Sail. Psha ! I cannot answer fasting. 

Hugo. Roughness, the proverb says, speaks honesty ; 
I hope the adage true. 
Come, come, the feast's prepared within ; this way. 

[Exitf R. 

1*^ Sail. Now, comrades, we will honour our host's 
bounty 
With jovial hearts, and gay forgelfulness 
Of perils past and coming. 

GLEE.— Sailors. 

We be men escaped from dangers, 

Sweet to think of o'er our bowls ; 
Wilds have ne'er known hardier rangers, 

Hall shall ne'iar see blither souls. [Exeunt, r. 

Scene III. — A Terraced Rampart of the Castle of St. Ah 
dobrandy from r. to l. — a part of the Castle is seen^ R., 
the rest concealed by Woods. — Moonlight. 

Imogine discovered, r. u. e. — she gazes at the Moon for 
some time, and then slowly advances. 

Imo. Mine own loved light, 
That every soft and solemn spirit worships. 
That lovers love so well — strange joy'is thine, 
Whose influence o'er all tides of soul hath power, 
Who lend'st thy light to rapture and despair ! — 



Scene III.] BERTRAM. 21 

Bertram — Bertram ! 

How sweet it is to tell the listening night 

The name beloved — it is a spell of power 

To wake the buried slumbers of the heart, 

Where memory lingers o'er the grave of passion, 

Watching its tranced sleep ! 

Enter Clotilda, l. u. e. 

Clo. Why dost thou wander by this mournful light, 
Feeding sick fancy with the thought that poisons ? 

I??io. I will but weep beneath the moon awhile. 
Now do not chide my heart for this sad respite. 

Clo. Nay, come with me, and view those storm-'scaped 
men 
A feasting in thy hall ; 'twill cheer thy heart. 
Of perils 'scaped by flood and fire they tell, 
And many an antique legend wild they know. 
And many a lay they sing — [Chorus and laughter without^ 

L. u. E.J Hark ! their deep voices 
Come faintly on the wind. 

Into. Their wild and vulgar mirth doth startle me. 
But as I passed the latticed gallery 
One stood alone.-— I marked him where he stood. 
His face was veiled ; faintly a light fell on him ; 
But through soiled weeds his muffled form did show 
A wild and terrible grandeur. 

Clo. I marked him, too. He mixed not with the rest, 
But o'er his wild mates held a stern control ; 
Their rudest burst of I'iotous merriment 
Beneath his dark eye's stilling energy 
Was hushed to silence. 

Imo. He never spoke \ 

Clo. No, he did naught but sigh. 

Imo. Call him hither. 
There is a mystery of woe about him 
That strongly moves my fancy. 

Clo. Wilt thou confer alone, at night, with one 
Who bears such fearful form % 

Imo. Why, therefore send him — 
All things of fear have lost their power o'er me. 

\Exit Clotilda, L. u. E. — Imogine appears to he debat- 
ing with herself how to receive him. 



22 Er.UTaAM. ■ [Act ll. 

If he do bear, like me, a withered heart, 

I will not mods: him with a sound of comfort. 

Enter Bertraim, slowly, l. u. e., Jiis arms folded, and his 
eyesfxed orl the eaHh — linogine does not recognize him. 

A form like that hath broken on my dreams 
So darkly wild, so proudly stern, 
Doth it rise on ine waking ? 

[BcrtrarPv comes forward, l. c, and stands with outlook- 
iiig at her. 
Stranger, I sent for thee, for that I deemed 
Some wound was thine, that yon free band might chafe, — 
Perchance thy w^orldly wealth sunk with yon wreck — 
Such wound my gold can heal — the castle's almoner — 

Ber. The wealth of worlds were heaped on me in vain. 

Imo. Oh,. then, I read thy loss. Thy heart is sunk 
In the dark waters pitiless ; some dear friend. 
Or brother, loved as thine own soul, lies there. 
Gold I can give, but can no comfort give, 
For I am comfortless. 

Ber. [Striking his hreast.'\ No dews give freshness to 
this blasted soil ! 

hno. Strange is thy form, but more' thy words are 
strange. 
Fearful it seems to hold this parley with thee, 
Tell me thy race and country. 

Ber. What avails it ? 
The wretched have no country : that dear name 
Comprises home, kind kindred, fostering friends, 
Protecting lav/s, 

But none of these are mine : I have no country — 
And for my race, the last dread trump shall wake 
The sheeted relics of mine ancestry, 
Ere tnimp of herald to the armed lists 
In the bright blazon of their stainless coat, 
Calls their lost child again. 

hno. [Aside] I shake to hear him ! — 
There is an awful thrilling in his voice ! 
[Alo2id.] If nor my bounty nor mj tears can aid thee. 
Stranger, farewell ; and 'mid thy misery 
Pray, when thou tell'st thy beads, for one more wretched. 

Be?'. Stay, gentle lady, I would somewhat with thee. 
[Imagine retreats terrified. 



Scene III,] BERTRAM. 23 

Thou shalt not go. [uetacnn her. 

Lno. Shalt not ? — Who art thou 1 — Speak ! 

Be?-. And must I speak ] 
There was a voice which all the world but thee 
Might have forgotten, and had been forgiven. 

Imo. My senses blaze! — Between the dead and living 
I stand in fear ! — Oh, Heaven ! — It cannot be ! 
Those thick black locks — those wild and sun-burnt fea- 
tures, 
He looked not thus — but then that voice — 

[ Tottering towards 7iim. 
It cannot be ! — for he would know my name. 

Ber. Imogine ! — [She shrieks and falls into his arms. 
Imogine ! — yes. 

Thus pale, cold, dying, thus thou art most fit 
To be enfolded to this most desolate heart — 
A blighted lily on an icy bed — 
Nay, look not up, 'tis thus I would behold thee. 
That pale cheek looks like truth — I'll gaze no more ; 
That fair, that pale, dear cheek, these helpless arms — 
If I look longer, they will make me human. 

Lno. [Starting from him.] Fly — fly! the vassals of thine 
enemy wait 
To do thee dead. 

Ber. Then let them wield the thunder ! 
Fell is their dint, who're mailed in despair. 
Let mortal might sever the grasp of Bertram ! 

[Seizes her. 

Imo. Release me ! [Aside.] I must break from him — he 
knows not — 
Oh! 

Ber. [Releasing her.] Imogine, madness seizes me — 
Why do I find thee in mine enemy's walls 1 
What dost thou in the halls of Aldobrand 1 
Infernal light doth shoot athwart my mind — 
Swear thou art a dependent on his bounty, 
That chance, or force, or sorcery brought thee hither. 
Thou canst not be — my throat is swoll'n with agony — 
Hell hath no plague — Oh, no, thou couldst not do it. 

Imo. [Kneeling, c] Mercy I 

Ber. Thou hast it not, or thou wouldst speak — 
Speak — speak ! [ With frantic violence. 



24 EEUTRAM. 



[Act II. 



Imo. I am the wife of Aldobrand, — 
To save a famishing father did I wed. 

Bcr. I will not curse Jier — but the hoarded vengeance — 

Imo. Ay — curse, and consummate the horrid spell, 
For broken-hearted, in despairing hour, 
With every omen dark and dire, I wedded — 
Some minist'ring demon mocked the robed priest; 
With some dark spell, not holy vow they bound me, 
Full were the rites of horror and despair. 
They wanted but — the seal of Bertram's curse. 

Ber. [Not heeding /ie?\] Talk of her father ! Could a 
father love thee 
As I have loved 1 In want, and war, and peril. 
Things that would thrill the hearer's blood to tell of, 
My heart grew human when I thought of thee ! — 
Imogine would have shuddered for my danger, — 
Imogine would have bound my leechless wounds — 
Imogine would have sought my nameless corse, 
And known it well — and she was wedded ! — wedded !— 
Was there no name in hell's dark catalogue 
To brand thee with, but mine immortal foe's 1-r- 
And did I 'scape from war, and want, and famine. 
To perish by the falsehood of a woman ] [Crossfs, n. 

Imo. Oh, spare me, Bertram! — oh, preserve thy.sc it! 

Ber. A despot's vengeance, .a false country's curses, 
The spurn of menials whom this hand had fed — 
In my heart's steeled pride I shook them off, 
As the bayed lion from his hurtless hide 
Shakes his pursuers' darts — 
One dart alone took aim, thy hand did barb it ! 

[Crosses, l. 

I?no, He did not hear my father's cry — Oh, heaven ! — 
Nor food, nor fire, nor raiment ; and his child 
Knelt madly to the hungry walls for succour. 
Ere her wrought brain could bear the horrid thought. 
Or wed with him — or — see thy father perish. 

Ber. Thou tremblest lest I curse thee, — tremble not. 
Though thou hast made me, woman, very wretched. 
Though thou hast made me — But I will not curse thee. 
Hear the last prayer of Bertram's broken heart. 
That heart which thou hast broken, not his foes ! — 
Of thy rank wishes the full scope be on thee ; 



SciXK I.] BKRTUAAT. 25 

May pomp and pride shout iji thine addered path, 
Till thou slialt feel and sicken at their hollowness; 
May he tliou'st wed be kind and generous to thee, 
Till thy wrung heurt, stabbed by liis noble fondness, 
Writhe in detesting consciousness of falsehood ; 
May thy babe's smile speak daggers to that mother 
Who cannot love the father of her child, 
And in the bright blaze of the festal hall, 
When vassals kneel, and kindred smile around thee, 
May ruined Bertram's pledge hiss in thine ear — 
Joy to the proud dame of St. Aldobrand — 
While his cold corse doth bleach beneath her towers ! 

[Going, L. 

Jmo. \Detaining 7iwu\ Stay ! 

Ber. No. 

Imo. Thou hast a dagger. 

Ber. Not for woman. — 

Imo. It was my prayer to die in Bertram's presence, 
But not by words like these. — [Falls. 

Ber. [ Turning hach.\ On the cold earth ! — 
I do forgive thee from my inmost soul ! — 

The Child of Imagine rushes in, L., and clings to her. 

Child. Mother! 

[Bertrcuii eagerly snatches up the child. — A faiise. 
Ber. God bless thee, child ! — Bertram hath kissed thy 
child ! [pushes off, l. 

Imo. Bertram — Bertram ! 

[The Child clings to her, and the Curtain foils. 

END OF ACT II. 



ACT III . 

Scene T, — A Wood. 
Enter St. Aldobrand with a Page, r. u. e., speaking. 

Aid. Hold thou my good steed, page ; the moon is 
down ; 
We've far outstript the knights, but slacker spord 
c 



2G EKRTRAM. 



[AcTlIL 



Hath found a surer road. Where, think'st thou, are we ] 

Vainly I listen through the night so still 

For bell that tells of holy convent near ; 

All is dark, still, and lorn. Where deem'st thou are we ] 

I* age. Oh, we are nigh a fell and fearful spot, 
For by the last gleams of the sunken moon 
I saw the towers — 

Aid. What towers are these, boy 1 

Page. The ruined towers that 't|s said are haunted. 

Aid. Then not four leagues divide me from mine 
home. — 
Mine home — it is a pleasant sound, — there bide 
My dame and child — all pleasant thoughts dwell there. 

[A bell tolls, L. U. E. 
Hark ! 'tis the convent bell, forego thy tale — 
The blessed thoughts of home are in that sound 
That near ray castle's gallant walls doth float — 

[A Chorus of Knights heard faintly from tlie Forest, 

L. U. E. 

What voices swell upon the midnight air 1 

Page. St. Anselm's knights. 

Aid. Yes, 'tis their pious wont, 
When journeying near' the sound of convent bell, 
'Mid flood or fire, to raise the holy hymn 
That chaunts the praise of their protecting saint. 
List to the solemn harmony. 
Guided by that we may rejoin their company. 

[Exeunt, I.. — Phe Chorus is heard again, and continues 
drawing nearer as the scene changes. 

Scene II. — The Convent. 

The Prior discovered reading, l. c, and Bertram, r. c, 

viewing hiin ivith the attention of one who envies him. 

Ber. How many hours have passed since matin-bell 1 
Prior. I know not, till it sound again to vespers. 
Time passes o'er us with a noiseless "lapse : 
Our hours are marked alone by prayer and study, 
And know no change but by their mute succession. 

Ber. Yea ; thus they live, if this may life be called, 
Where moving shadows mock the parts of men. 
Prayer follows study, study yields to prayer, 



Scene II.] 



BF.RTRAM. 27 



Bell echoes bell, till, wearied with the summons, 
The ear doth ache for that last welcome peal 
That tolls an end to listless vacancy. • 

[They rise and come forward . 
The storm for Bertram ! and it hath been with me, 
Dealt with me branch and bole, bared me to th' roots, 
And where the next wave bears my perished trunk, 
In its dread lapse, 1 neither know, nor reck of 

'Prior. Thou desperate man, whom mercy woos in vain, 
Although with miracles she pleads — 
Forbear, I say, to taint these holy echoes 
"With the fell sounds of thy profane despair. 

Bcr. Good monk, I am beholden to your patience. 
Take this from one, whose lips do mock at praise ; 
Thou art a man, whose mild and reverend functions 
Might bid my better angel half return. 
But — 'tis impossible — I will not trouble thee — 
The wayward Bertram and his moody mates 
Are tenants all unmeet for cloistered walls : — 
We will find fitter home. 

Prior. Whither wilt thou resort ? 

Ber. Is there no forest 
Whose shades are dark enough to shelter us? 
Or cavern rifted by the perilous lightning, 
Where we must grapple with the tenanting wolf 
To earn our bloody lair ] — there let us bide. 
Nor hear the voice of man, nor call of heaven. 

Prior. Wend not, I charge thee, with those desperate 
men. 
Full well I wot who are thy fearful mates. — 
In their stern strife with the incensed deep, 
That dashed them bruised aud breathless on our shores, 
When their drenched hold forsook both gold and geer, 
They griped their daggers with a murderer's instinct. 
— I read thee for the leader of a band 
Whose trade is blood — 

Ber. Well, then, thou knowest the worst — 
I am their leader, 
And let the worst be known ! 

Prior. Mark what I read : renounce that horrid league — 
Flee to the Castle of St. Aldobrand : 
His power may give tliee safety, and his dame . 



28 BERTRAM. [Act III. 

May plead for thee against the law's stern purpose — 
All as thou art unknown — 

Bcr. His (lame plead for me ! — 
When my cold corse, torn fom some felon Avheel, 
Or dug from lightless depth of stony dungeon, 
Welters in the cold gaze of pitiless strangers, 
Then fling it at his gate, whose cursed stones 
My living foot treads never, — yet beware 
Lest the corse burst its cearments stark, and curse thee ! 

[Crosses, l. 

Prior. Hush, hush these horrid sounds. "Where wilt 
thou bide ? 
Near us nor knight nor baron holds his keep, 
For far and wide thy foeraan's land extends. 

Ber, The world hath ample realms beyond his power. 
The frozen mountain, or the burning sand, 
Would be more wholesome than the fertile realm 
That's lorded o'er by Aldobrand. [Exity l. 

Prior. Wild admiration thrills me to behold 
An evil strength, so above earthly pitch — 
Descending angels only^ could reclaim thee. 

Enter Second Monk, r. 

2d Monk. The lady of St. Aldobrand in haste 
Craves swift admittance to your sacred cell. 

Prior. She is a gracious and a pious dame, 
And doth our cell much honour by her presence. 

[Exit Second Monk, r. 

Enter Imogine, r. — she kneels to Prior. 

Prior, (l. c.) The blessings of these sainted walls be 
on thee ! 
Why art thou thus disturbed? What moves thee, daugh- 
ter ? 

Imo. Nay, do not raise me with those reverend hands. 
1 am a wretched, soul-struck, guilty woman. 

Prior. Thou dost amaze me ; by mine holy order, 
I deemed no legends of our cloistered saints 
Held holier records of pure sanctity, 
Than the clear answer of" thy stainless life 
To shrift's most piercing search — 

Imo. [Rising.\ (Jh, holy Pi-ior ! I am a wretch ! 



SCEHE IJ.J BERTRAM. 29 

I've nursed a slumbering serpent till it stung me, 
And from my heart's true guardian hid its foulness. 

Prior. Thou'st done an evil deed — 
For sin is of the soul, and thine is tainted : 
But most I blame thee, that from thy soul's guardian 
Thou hiddest thy secret guilt. 

Imo. I knew it not. 
Last night, oh ! last night told a dreadful secret : — 
The moon went down, its sinking ray shut out 
The paiting form of one beloved too well. 
With naught that loved me, and with naught to love, 
I stood upon the desert earth alone — 
I stood and wondered at my desolation — 
And in that deep and utter agony, 
Though then, than ever most unfit to die, 
1 fell upon my knees, and prayed for death. 

Prior. Art thou a wife and mother, and canst speak 
Of life rejected by thy desperate passion — 
These bursting tears, wrung hands, and burning words. 
Are these the signs of penitence or passion ? 
" Thou comest to me, for to my ear alone 
" May the deep secret of thy heart be told, 
** And fancy riot in the luscious poison — 
" Fond of the misery we paint so well, 
•' Proud of the sacrifice of broken hearts, 
*' We pour on heav'n's dread ear, what man's would shrink 

from — 
" Yea, make a merit of the impious insult, 
" And wrest the functions of mine holy office 
" To the foul ministry of earthly passion." 

Imo. Why came I here ! I had despair at home — 
Where shall the wretch resort whom Heaven forsakes ? 

Prior. Thou hast forsaken Heaven. 
Speed to thy castle, shut thy chamber door, 
Bind fast thy soul by every solemn vow 
Never to hold communion with that object — 
If still thy heart's responses yield no hannony — 
Weary thy saint with agonies of prayer ; 
On the cold marble quench thy burning breast ; 
Number with every bead a tear of soul ; 
Press to thy heart the cross, and bid it banish 
The form that would usurp its image there. 



30 BEKTUARI. [Act III. 

Imo. \Kncelmg.\ One parting word — 
Prior. No, not one parting look — 

[ Turns away and crosses, r. 
One parting thought — I charge thee on thy soul. 
Imo. [ Turning away?\ He never loved. 

[Seizes- his robes. 
Prior. Why clingest thou to my raiment ] 
Thy grasp of grief is stronger on my heart — 

Enter First Monk and Page, r. 

1*^ Monk. Hail, holy Prior, and hail, thou noble dame ! 
With joyful heart I break upon your privacy. 

[Prior crosses, c. 
St. Aldobrand before his ov^^n good gates 
Doth rein his war-steed's pride ; the warder's horn 
Full menily rings his peal of welcome home. 
I hied me onward with the joyful tidings 
To greet his happy dame. 

Prior. Now, by my beads, the news is wond'rous wel- 
come. [To Page, 1.. corner. 
Hath thy brave lord in safety reached his home 1 

[Apart to hnogine, l. c. 
Clear thy dimmed brow, for shanae ! hie to thy lord, 
And show a dame's true duty in his welcome. [ To Page. 
Came with thy lord the knights of good St. Anselm, 
Bearing the banner of their guardian saint 
Safe from the infidel scathe ? 

Page. They come with speed — 
Though lated in the forest's wildering maze ; 
Last night their shelter was the broad brown oak. 

Prior. High praise be given ! Haste ! summon all our 
brethren. [Exit First Monk, r. 

Th' occasion, noble dame, doth call me from thee — 
So, Benedicite. [Exeunt Prior and Page, r. 

, Imo. That word should mean — 
A blessing rest on me. — I am not blest — 
Would I were seared in guilt, or strong in innocence ! ' 
T dare not search my heart ; some iron vow 
Shall bind me down in passive wretchedness, 
And mock the force of my rebellious heart. 

As she kneels, enter Bertram, l. 

Ha ! art thou there ? 



ScENK II.J BtKTKAM. 3l 

Come kneel with me, cincl witness to the vow 
1 offer to renounce thee, and to die. 

Bc7\ Nay, it is meet that we renounce each other. 
Have we not been a miserable pair ? 
Hath not our fatal passion cursed, not blessed us 1 
Had we not loved, how different w^ere our fates ; 
For thou hadst been a happy, honoured dame. 
And I had slept the sleep of those that dream not — 
But life was dear, while Imogine did love. 

Imo. Witness my vow, while I have breath to speak it. 

Ber. Then make it thus — why dost thou shrink fi'om 
me ? 
Despair hath its embrace as well as passion. 
May I not hold thee in these folded arms 1 
JMa}^ I not clasp thee to this blasted heart ? 
When the rich soil teemed v/ith youth's generous flowers, 
I felt thee, sunshine f now thy rayless light 
Falls like a cold moon on the blasted heath, 
Mocking its desolation. — Speak thy vow— 
I will not chide thee, if the words should kill me. 

Imo. [Sinking into his arms.^ I cannot utter it. 

Ber. Have we not loved, as none have ever loved, 
And must we part as none have ever parted ? 
I know thy lord is near ; I know his towers 
Must shut thee ftom my sight — the curfew-hour 
Will send me on a far and fearful journey. 
Give me one hour, nor think thou givest too much. 
When grief is all the boon. 

Imo. One hour to thee 1 

Ber. When the cold moon gleams on thy castle walls, 
Wilt thou not seek the spot where last we met % 
That be our parting spot. Oh ! Imogine, 
Heaven, that denies the luxury of bliss. 
Shall yield at least the luxury of anguish, 
And teach us the stern pride of wretchedness— 
That hour shall light my parting step of darkness — 
Imogine's form did gleam on my last glance, 
Imogine's breath did mix with my last sigh, 
Imogine's tear doth linger on my cheek, 
But ne'er must dew my grave. 

Imo. I am desperate 
To say I'll meet thee, but 1 will, will meet thee : 



32 BKUTUAM. [Act IV. 

No future hour can rend my heart hke this, 
Save that which breaks it. 

The Child runs hi, R., and clings to Imog'mc, 

Child. Dear mother, my father is returned, and kissed 

and hlessed me. 
Imo. [Falling on the Child's ncch.] What have I done ? 

My child ! forgive thy mother. 
Bcr. [Sarcri/ing Lnogine with stern contempt.] 
^^ Oman ! oh, ^voman ! and an urchin's kiss 
llends from thy heart thy love of many years. 
Go, virtuous dame, to thy most happy lord, 
And Bertram's image taint your kiss with poison. 

[Exit, L. 
Imo. 'Tis but the last — and I have sworn to meet him. 
iNly boy, my boy, thy image will protect me ! 

[S/tc hnccls, c, and k losses her Child, as the Act Drop 



falls. 



END OF ACT III. 



AC T I V. 

Scene 1. — 'Bencaifi the Castle Walls. — Night, dark. 

Bertram appears, l, u. e., in the utmost agitation — he 
extends his arms towards the sjiot lohere the Moon has 
just disappeared, 

Ber. Thou hidest away thy face, and wilt not view me ; 
All the bright lights of heaven are dark above me. 
Beneath the black cope of this starless night 
There lurks no darker soul — 
jNIy fiend-like gloiy hath departed from me — 
Bertram hath naught above the meanest losel — 
1 should have bearded him in halls of pride — 
1 should have mated him in fields of death — 
Not stol'n upon his secret bowser of peace. 
And breathed a serpent's venom on his flower. 

[Loohs up at tlie Casement of the Tower, r. u. e., at 
ivhich a light appears — he gazes at it. 
She is there ! 



ScENJi L] BERTRAM. 33 

She weeps — no husband wipes her tears away — 
She weeps — no babe doth cheer the guilty mother. 
Aldobrand — No ! I never will forgive thee, 
For I am sunk beneath thee. 

Ente-r two Robbers, of Bertram's Ba?id, l. 

Who art thou ] 

1*^ Roh. Why dost thou wander in the woods alone, 
Leaving thy mates to play with idle hilts, 
Or dream with monks o'er rosary and relic ? 

2d Rob. Give us a deed to do. 

Bcr. [Crossing, c] Ho ! hear ye, villains, 
I know ye both — ye are slaves, that for a ducat 
Would rend the screaming infant from the breast 
To plunge it in the flames ; 

Yea, draw your keen knives 'cross a father's throat. 
And carve with them the bloody meal ye earned. 
Villains, rejoice ! your leader's crimes have purged you; 
You punished guilt — I preyed on innocence — 
Ye have beheld me fallen — Begone ! begone ! 

1st Roh. (r.) AVhy, then. Heaven's benison be with 
you! 
Thou'lt need it if thou tarriest longer here. 

Ber. (c.) How, slave, what fear you 1 

2d Roh. (l.) Fly ! this broad lamd hath not one spot to 
hide thee. 
Danger and death await thee in those walls. 

Ber. They'd fell a blasted tree — well — let it fall — 
But, though the perished trunk feel not the wound. 
Woe to the smiting hand — its fall may crush him. 

1*^ Rob. Lord Aldobrand 
Holds high commission from his sovereign liege 
To hunt thy outlawed life through Sicily. 

Ber. [Wildhj.] Who 1— what? [Crosses,!.. 

2d Roh. (p.) We mingled with the men at arms 
As journeying home. Their talk was of Count Bertram^ 
Whose vessel had from Manfredonia's coast 
Been traced towards this realm. 

1st Rob. And if on earth his living form were found, 
Lord Aldobrand had jDower to seal his doom. 

Bcr. [Bursting info ferocitij.] Villain! abhorred villain ! 
Hath he not pushed mc to extremity ? 



34 BEilTKAM. 



[Act IV. 



Are these wild weeds, these scaiTed and scathed hmbs, 

This wasted frame, a mark for human mahce 1 

There have been those, who, from the high bark's side 

Have w'hehned their enemy in the flashing deep ; 

But who hath watched to see his struggUng hands, 

To hear the sob of death ? Fool ! — idiot ! — idiot ! — 

'Twas but e'en now, I would have knelt to him 

With the prostration of a conscious villain — 

I would have crouched beneath his spurning feet — 

I would have felt their trampling tread, and blessed it, — - 

For I had injured him, and mutual injury 

Had freed my withered heart. Villain ! I thank thee. 

1st Rob. Wih thou fly ? 

Be?: Never ! On this spot I stand 
The champion of despair — this arm my brand — 
This breast my panoply — and for my gage — 
(Oh, thou hast reft fiom me all knightly pledge !) 
Take these black hairs, torn from ahead that hates thee — 
Deep be their dye, before that pledge is ransomed, 
In thine heart's blood or mine ! [ JVild with passion^ 

"Wliy strivest thou with me % 
Lord Aldobrand, I brave thee in thy halls ! 
Wrecked, famished, wrung in heart, and worn in limb ! 
For bread of thine this lip hath never stained— - 
I bid thee to the conflict ! — Ay, come on ! 
Coward ! hast armed thy vassals ? — Come, then, all — 
Follow ! ye shall have work enough. — Follow ! 

[Exezoit, L. 

Scene II. — Imogine's Apartment — a door, l. c, — a tahle 
c, with a lamp hurning on it. 

Enter Imogine, l. s. e. — she walks for some time in great 
agitation, 

Imo. Away ! thou glarest on me — thy light is hateful ! 
Oh ! that a mountain's weight were cast upon me ; 
Oh ! that the wild, wide ocean heaved o'er me ; 
Oh ! that I could into the earthy -centre 
Sink, and be nothing.-^ — 

" Sense, memory, feeling, life, extinct and swallowed, 
'* With things that are not, or have never been, 
" Lie down and sleep the everlasting sleep." 
If 1 run mad, some wild word will belrav ino. 



Scene II. J 



BL,UTlwUI. 



Nay, let me think — what am I ? — no, what was 1 1 — 

[^■1 long luinse. 
I was the honoured wife of Aldobiand ; 
I am the scorned minion of a iTiffian. 

Enter Clotilda, r. 

Who ait thou that thus comest on me in darkness 1 

Clo. The taper's blaze doth make it bright as noon. 

Imo. I saw thee not, till thou wert close to me ; 
So steal the steps of those who watch the guilty. 
How darest thou gaze thus earnestly upon me ] 
What see'st thou in my face ? 

Clo. Despair. 

Imo. See'st thou despair alone ? 
Nay, mock me not, for thou hast read more deeply, 
Else why that piercing look ? 

Clo. I meant it not : 
But since thy lonely walk upon the rampart, 
Strange hath been thy demeanour ; all thy maidens 
Do speak in busy whispers of its wildness. 

Imo. Oh ! hang me shuddering on the baseless crag— 
The vampire's wing — the wild-worai's sting be on me, — 
But hide me, mountains, from the man I've injured. 

Clo. Whom hast thou injured ? 

hno. Whom doth w^oman injure ? 
Another daughter dries a father's tears ; 
Another sister claims a brother's love ; 
An injured husband hath no other wife, 
Save her who wrought him shame. 

Clo. I will not hear thee. 

Imo. We met in madness, and in guilt we parted — 
Oh ! I see horror iiishing to thy face — - 
Do not betray me, I am penitent — 
Do not betray me, it will kill my lord — 
Do not betray me, it will kill my boy, 
My httle one, that loves me. [Kneels. 

Clo. Wretched woman — 
Whom guilt hath flung at a dependent's feet, 
Rise — rise ! How can'st thou keep thy fatal secret 1 
Those fixed and bloodshot eyes, those wringing hands — 

Imo. And were I, featureless, inert, and marble, 
Th' accuser here would speak. 



3G liKUTllAM. [Act IV. 

CIo. AVilt thou seek comfort fro.»ii the holy Prior? 

Imo. When 1 was innocent, I sought it of him ; 
Now that my heart condeinns me, what avails 
The pardon of my earthly, erring judge? [Crosses, R. 
What fearful sound Is that I 

Clo. Alas ! a feller trial doth ahide thee ; 
i hear thy lord's approach. 
Madness is hi thy looks ; he'll know it all. 

Lno. Why, I am mad with horror and remorse. 
He comes — he comes, in all that murderous kindness. 
Oh ! Bertr'am's curse is on me. 

St. Ahlohrand. [ Without.] Take my helmet, boy. 

Enter St. Aldobrand, r. 

How fares my dame ] Give me thy white hand, love. 

[Exit Clotilda, l. 
Well may mnn toil for such an hoiar as this, 

Imo. \Sfandiyfg timidly nefir Itim, c.j 
Yea, hap})ier they, who on the bloody field 
Stretch -when their toil is done. 

Aid: Wliat means my love ? 

Imo. Is there not rest among the quiet dead % 
But, is there surely rest in mortal dwellings ? 

Aid. Deep loneliness hath wrought this mood in thee. 
For like a cloistered votaress, thou hast kept. 
Thy damsels tell me, this lone turret's bound — 
Not thine to parley at the latticed casement 
With wandering wooer, or — 

Imo. \ JVild/f/.] For mercy's sake, forbear ! 

Aid. HoAv farest thou ? 

I?7io. [Recorcring.] Well — well— a sudden pain o' th' 
heart. 

Aid. Knovvest thou the cause detained me hence so 
long? 

hno. [ Tnjing to recollect herself. \ Was it not war ? 

Aid. Ay, and the worst war, love^ 
When our fell foes are our own countrymen. 
Thou knowest the banished Bertram. — His mad ambition 
Strove with the crown itself for sovereignty ; 
The craven monarch was his subject's slave ; 
In that dread hour my country's guard I stood, 
From the state's vitals tore the coiled serpent, 



Scene II.] 



BERTRAM. 37 



First hung him writhing up to public scorn, 
Then flung him forth to ruin. 

Imo. Thou need'st not tell it. 

Aid. Late from Taranto's gulf his bark was traced 
Right to these shores. 

Imo. Think'st thou he harbours here 1 

Aid. AVhy art thou thus, my Imogine, my love? 
Why is this ? 

hno. I am dying, Aldobrand ; a malady 
Preys on my heart, that medicine cannot reach. 
When I am cold, when my pale sheeted corse 
Sleeps the dark sleep no venomed tongue can wake, 
List not to evil thoughts of her whose lips 
Have then no voice to plead. 
Take to thine arms some honourable dame, 
And — if he dies not on his mother's grave — 
Still love my boy as if that mother lived. 

Aid. Banish such gloomy dreams — 
'Tis solitude that makes thee speak thus sadly. 
No longer shalt thou pine in lonely halls ; 
Come to thy couch, my love — 

hno. Stand off! — unhand me ! — 
I have a vow — a solemn vow is on me — 
If I ascend the bed of peace and honour 
Till that— 

Aid. Till what? 

hno. My penance is accomplished. 

Aid. Nay, heav'n forefend I should disturb thy ori- 
sons — 
The reverend Prior were fittest counsellor. 
Farewell ! \^Crosses, l. 

Imo. [ With a sudden impulse, falling on her knees.] 
Yet, ere thou goest, forgive me, oh ! my husband ! 

Aid. Forgive thee ! — What 1 

hno. Oh ! we do all offend. 

Aid. I well may pardon what 1 ne'er have felt. 

[Imogine Jbllows hi?n on her knees and kisses his hand. 
Farewell ! — farewell ! [Exit, l. 

hno. There is no human heart can 'bide this conflict — 
All dark and hoiTible. Bertram — 
But, oh ! within these walls, before mine eyes. 
Who would have died for him, while life had value. 
D 



38 



BERTRAM. [Act IV 



He shall not die ! — 

Ha ! I hear a step — 

It liath the speech-like thrilling of his tread : 

It is himself! 

Enter Bertram, c. d. 

Why comest thou thus? what is thy feaiiul business? 

Ber. (l. c.) Guess it, and spare me. 

[A long pause, during ifhicli she gazes at hivi. 
Canst thou not read it in my face ? 

[ Throiving his dagger on the ground. 
Speak thou for me. 

Show me the chamber where thy husband lies ; 
The moniing must not see us both alive. 

Imo. [Screaming and struggling with him.] 
Ah ! horror ! hon-or ! 
Have pity on me, I have had much wrong. 

[Falls at his feet. 

Ber. [Looking on her with pity for a mo??ient.] 
Thou fairest flower ! 

Why didst thou fling thyself across my j^alh ? 
My tiger spring must crush thee in its way, 
But cannot pause to pity thee. [Crosses, k. 

Imo. Thou must ; I ne'er reproached thee — 
Kind, gentle Berti'am — my beloved Bertram — 
For thou wert gentle once, and once beloved, — 
Have mercy on me ! — Oh ! thou couldst not think it — 
[Looking up and seeing no relenting in his face, she 
starts up unldly. 
By heaven, he shall not perish ! . 

Ber. He shall not live ! 
Thou callest in vain — 

The armed vassals all are far fi'om succour. 
My band of blood are darkening in their halls — 
He shall fall nobly, by my hand shall fall ! 

Enter Banditti, c. d. 

Ha ! those felon slaves are come — 

[Snatching ujy the dagger. 
He shall not perish by their ruffian hands ! [Exit, l. 

Imo. [Gazing arotmd her, and slowly recovering recol- 
lection, repeals hh last icords.] " He shall not pe- 
rish !" 



Scene I.j 



BERTRAM. 39 



Oh ! it was all a dream ! 

Rushes towards the Banditti, ivho advance and jjotnt 
their swords to resist her. — A clashing of sword.s 
ivithout, L. 

Enter Clotilda, l. 

St. Aldobrand. [Without.] OfF, villain ! off! 
Bertram. [ Without.] Villain, to thy soul ! — for I am 
Bertram ! 

Enter St. Aldobrand, l., retreating before Bertram — he 
rushes forward and falls at the feet of Imogine. 

Aid. Oh ! save my boy. 

[Dies. — Imogine faints — Bertram stands over the body 
of St. Aldobrand, holding the dagger, with his eyes 
intently fixed on it, and the Banditti range at the 
back, as the Act Drop falls. 

END OF ACT IV. 



ACT V. 

Scene I. — The Chapel in the Convent of St. Ans elm — the 
shrine splendidly illuminated and decorated. — The 
Prior discovered rising from before the Altar. 

Enter Monks and Knights in procession, l. u. e. — the 
Monks marc/i forward and range, r. — the Knights 
come forward loitli banners, and range, r. u. e. — Music. 
Tlie Knights and Monks advance in procession, the 
Prior bearing th^ banner, tohich he has received from 
the principal Knight. 

HYMN. 

Guardian of the good and brave, 
Their banner o'er thy shrine we wave ; " 
Monli, who counts the midnight bead. 
Knight, who spurs the battle steed. 
He, wlio dies 'mid clarion's swelling, 
He, who dies 'mid requiem's knelling — 
Alike thy care, whose grace is shed 
On cowled scalp and helmed head — 



40 BEllTKAM. [Act V. 

Thy temple of the rock and flood 
For ages 'mid their wrath has stood — 
Thy midnight bell, through storm and calm. 
Hath shed on listening ear its balm. 

The Third Monk rushes in distractedly y l. s. e. 

3^ Monk. Forbear ! forbear ! 

Prior, (c.) Why comest thou thus with voice of despe- 
rate fear, -^ 
Breaking upon our solemn ceremony 1 

3d Monk. Despair is round our walls, a wailing spirit, 
" Yea, the mixed wailings of the infernal host 
*' Burst deafeningly amid the shuddering blast" — 
No earthly lip might utterance give to such. 

Prior. Thou'rt wild with watching ; 
'Twas but the night wind's hollow sweep, 
Mocking the sounds of human lamentation. 

[A scream heard, l. s. e. 

3d Monk. Hush — look — it comes again ! 

[ T%e scream again heard. 

Prior. Defend us, heaven ! 
'Twas horrible indeed — 'tis in our walls. 
Ha ! through the cloister there doth something glide. 

Pinter Imogine, hurriedly, l, s. e. — she rushes forward 
with her Child, her hair dishevelled, her dress stained 
ivith blood. 

Imo. Save me ! save me 1 
Prior. Save thee from what % 
Imo. From earth, and heaven, and hell, — 
All, all are armed, and rushing in pursuit ! 

[ The Prior, Monks, und Knights gather round, and 
converse together. 
All. Who— what — what hath befallen thee ! — Speak ! 
Imo. (c.) Oh ! wait not here to speak, but fly to save 
him. 
For he lies low upon the bloody ground. 

1*^ Monk, (l.) She speaks in madness ; ask the frighted 
boy- 
Hath aught befallen his father ? 

Ij7W. Ask him not — 
He hath no father — we have murdered him — 
Traitress and murderer — we have murdered him — 



Scene I.] BERTRAM. 41 

They'll not believe mo fl-)r mine agony — 

Is not his very bloc^d upon my raiment l 

Reeks not the chaiTiel stream of murder from me ? 

Prior. \ Vc/icmc/ifli/.] Im2:)OSsible ! 

Imo. Ay, heaven and earth do cry, impossible ! 
The shuddering angels sliiick, impossible ! 
But fiends do know it true. 

Prior. [So/em/fli/.] Spirits of madness do possess this 
woman ! 
Who did the deed ? 

[Imogiuc sinlcs gradually frotn liis fixed eye, till, hid' 
ing her face, .she sinks on the ground in silence. 

1st Monk, (i-.) I do believe it, horrid as it seems. 

Prior. I'd not believe her words, I do her silence. 
Now — draw your swords, brave knights — avenge ! pur- 
sue ! 
[Exeunt, tumultuously. Knights, Monks, and Atten- 
dants, L. u. e. — the Prior is following, when Imo- 
gine, v'ho is still kneeling, grasps him hy the rohe. 

Prior. [ ^Vifh mixed emotion, turning to her.\ 
Thou art a wretch ! I did so love and honour thee — 
Thou'st broke mine aged heart. — That look again — 
Woman, let go thy withering hold ! 

Imo. I dare not — 
I have no hold but upon Heaven and tlicc. 

Prior. [ Tearing himself from, her.^ 
Hear thou, and — ^liope not — if by word or deed, 
Yea, by invisible thought, unuttered wish. 
Thou hast been ministrant to this horrid act, — 
With full collected force of malediction, 
I do pronounce unto thy soul — despair ! [Exit, l. s. e. 

Imo. [Looking round, on the Chapel, after along pausc.\ 
They've left me — all things leave me — all things human — 
Follower and friend — last went the holy man — 
The last — but yet he went — 
To leave the guilty in their guiltiness. 

Child. Dear mother, take me home. 

Imo. Thou hast no home ! 
She, whom thou callest mother, left thee none — 
AVe're hunted from mankind. 
What f(irm is that ? Why have they laid him there 1 

[Recoils. 



42 BERTRAM. [Act V. 

The cold blue wound whence blood hath ceased to flow, 

The stormy clenching of the bared teeth — 

I see them all! — [Shrichs. 

It moves ! — it moves \ — it rises — it comes to me ! — 

'Twill break the eternal silence of the gi-ave — 

'Twill w^ind me in its creaking, maiTowless amis! 

Hold up thy hands to it — it was thy father ! — 

Ha ! it would have thee too ! — Off! — save me ! — off! 

[^Rushes off with the Child, r. 

Scene H. — A Hall in the Castle of St. Aldohrand — a 
door, c. F. 

Enter Prior, l. 
Prior. His halls are desolate ; the lonely walls 
Echo my single tread through the long galleries ; 
The hurrying knights can trace nor friend nor foe ; 
The murderer hath escaped. 

Enter Knights, Monks, ^c, l., supporting Clotilda. 

Knight. We found this trembling maid, alone, con- 
cealed. 
Trior, (c.) Speak! Tell of Bertram — of thy lord — the 

vassals — 
Clo. (l. c.) Oh ! give me breath, for I am weak v\^ith 
fear. 
Shoit was the bloody conflict of the night ; 
The bandits, loaded with the castle's spoil, 
Are gone ; I saw them issue from the .walls. 
But yet I dared not venture forth ; while Bertram — 
Prior. Go on — go on ! 
Clo. He bore the murdered body 
Alone into yen chamber. [Points, c. 

There hath he sat in di-ead society ; 
The cor^;e and murderer are there together. 

[The Knights draw their swords and rush toicards the 
door, c. 
Prior. [Interposing.] Hold ! champions, hold ! 
The arm of flesh were powerless on him now. 
Mark how the faltering voice of feeble age 
Shall bow him to its bidding. [ Striking the door.] Ho ! 

come forth, 
Tliou man of blood— com^e forth ! thy doom av/aits thee ! 

[A noise of holts heard. 



Scene II. J BERTRAM. 43 

Bertram opens the door, c. f., and slowly advances — his 
dress is stained withhlood — lie grasps the hilt of a dag- 
ger, and his look is so marked and grand, that the 
Knights and Monks make way for him, as he comes 
forward, R. c. — E,xit Clotilda, l, 

l^er. I am the murderer ! — Wherefore are ye come % — - 
Wist ye whence I come % 

The tomb — where dwell the dead — and I dwelt with him 
Till sense of life dissolved away within me. 

[^Looking ghastily round. 
I am amazed to see ye living men ; 
I deemed that when I struck the final blow, 
Mankind expired, and we were left alone. 
The corse and I were left alone together, 
The only tenants of a blasted world. 
" Dispeopled for my punishment, and changed 
" Into a penal orb of desolation." 

Prior, (r.) Advance, and seize him, ere his voice of 
blasphemy 
Shall pile the roof in ruins o'er our heads ! 

^Knights advance. 

Ber. Advance, and seize me, ye who smile at blood, 
Fur every drop of mine a life shall pay ! 
I'm naked, famished, faint, my brand is broken — 
Rush, mailed champions, on the helpless Berti^am ! 

[ They sink hack. 
Now prove what fell resistance I shall make. 

[ Throwing doivn the dagger. 
There ! Bind mine arms, if ye do list to bind them ; 
I came to yield, but not to be subdued. 

P?-ior. Oh! thou, who o'er thy stormy grandeur flingest 
A sti-uggling beam that dazzles, awes, and vanishes — 
Thou, who dost blend our wonder with our curses, — 
Why did'st thou this ? 

Ber. He wronged me, and I slew him ! — « 
To man but thee I n-e'er had said even this. 
Now speed ye swift from questioning to death. 

[ TJiey surround him. 
One prayer, my executioners, not conquerors : 
Be most ingenious in your ciiielty — 
Let rack and pincer do their full work on me — 



44 BKKTKAM. [AcT V 

'Twill rouse me fi'om that dread unnatural sleep 

In which my soul hath dreamt its dreams of agony. — 

This is my prayer, ye'll not refuse it to me. 

[As the Knights are leading him off, l., the Prioi 
lays hold of him. 
Trior. Yet bend thy steeled sinews, bend and pray : 
The corse of him thou'st murdered lies within. 

\A long ^ause. 
Ber. I have offended Heaven, but will not mock it : 
Give me your racks and tortures, spare me words. 

[Exettnt, L. 

Scene III. — A dark Wood — a Cavern, r. u. e. — Rocks 
and Precipices above. 

Imogine discovered, reclining against the Cavern. 

Imo. [Sighing heavihj after a long pause.] 
Or night or morning is it ? 
I wist not which, a dull and dismal twilight 
Pei"A-adinof all thinffs, and confbundino: all thinsfs, 
Doth hover o'er my senses and my soul. 

[Comes forward , shuddering, c. 
The moon shines on me, but it doth not light me. 
The surge glides past me, but it breathes not on mo. 
My child ! my child ! where art thou 1 come to me ! 
I know thou hidest thyself for sport, to mock me — 
Yet come, for I am scared with loneliness. 
I'll call on thee no more. Lo ! there he glides — 
And there, and there — ^he flies from me — -he laughs ! — 
I'll sing thee songs the churchyard spirits taught me — 
I'll sit all night on the gi'ay tombs with thee, — 
So thou wilt turn to me. He's gone ! he's gone ! 

Enter Clotilda, the Prior, a7id two Monks, l., with 
torches. 

Clo. vShe's here — she's here ! And is it thus I see her ? 

Prio)^ All-pitying Heaven, release her from this mi- 
sery ! 

Imo. Away ! unhand me ! ye are executioners— 
I know your honible eiTand ! Who hath sent you 1 
This is false Bertram's doing — 
How I did love — and how am I requited ! 
Well, well, accuse me of what crime vou will, 



Scene III.] 



BERTRAM. 45 



I ne'er was guilty of not loving thee. 

[ The Prior takes hold of her. 
Oh, spare the torture, and I will confess — 
Nay, now, there needs it not — ^liis look's enough — 
That smile hath keener edge than many daggers. 

\^in'ks in Clotilda's arms. 

do. How could this wasted fonn sustain the toils, 
Bearing her helpless child. 

Imo. [Starting ?/p.] I was a mother — 'twas my child 1 
bore ; 
The murderer hung upon my flying steps. 
Oh ! how we laughed to see the bafliled fiend 
Stamp on the shore, and gnnd his iron teeth, 
While safe and far, I braved the wave triumphant. 
And shook my dripping locks like trophied banner, — 
I was a mother then. 

Prior. Where is thy child ? 

do. Oh ! he lies cold within the forest glen. 
Why dost thou urge her with the horrid theme ? 

Prior. It was to wake one living chord o' the heart ; 
And I will try, though mine own breaks at it. 
Where is thy child 1 

Imo. [ With a frantic laugh.] The forest fiend hath 
snatched him ! 

Prior. Hopeless and dark — even the last spark extinct. 

Enter Third Monk, hastily, l. u. e. 

3^ Monk. Bertram — the prisoner Bertram — 
Prior. Hush ! thou'lt kill her. 
Haste thee, Clotilda, — holy brethren, haste ! 
Remove her hence — [Pointing to Cavern.] ay, even to 
that sad shelter. [Looking off, l. u. e. 

I see the approaching torches of the guard, 
Flash their red light athwart the forest's shade. 
Bear her away. Oh ! my weak eye doth fail 
Amid these hoiTors. 

[hnogine is borne to the Cavern, r. u. e., and Prior 

follows. — A gleam of torch-light falls mi the Rocksy 

L. u. E. — Bertram, Knights, and Monks are seen 

winding down the Precipices, the clank of Berfra?n*s 

chains the only sound heard. 



46 BERTRAM. [Act V. 

Enter Bertram, Knights, and Monks. — Bertram between 
two Monks, who hear torches. 

St Monk. (r. c.) Leave him with us, and seek the 
Prior, I pray you. 
Knight. [Apart to 1st Monk.] He may yet try to es- 
cape. We'll watch concealed. 
[Exeunt all hut Bertram and 1st and 2d Monks. 
1st Monk. Brief rest is here allowed thee — murderer, 
pause. 
How fearful was our footing on those cliffs, 
Where time had worn those steep and rocky steps ; 
I counted them to thee as we descended, 
But thou, for pride, wast dumb. 
Ber. (c.) I heard thee not. 

2d Monk. (l. c.) Look round thee, murderer ! drear thy 
resting place — 
This is thy latest stage — sui-vey it well. 
Dare thine eye scan that spectred vacancy ? 

Ber. I do not mark the things thou tell'st me o . 

1^^ Monk. Wretch ! if thy fear no spectred inmate 

, shapes — 
Ber. [Starting from his trance.] 
Cease, triflers ! Would you have me feel remorse 1 
Leave me alone — nor cell, nor chain, nor dungeon 
Speaks to the murderer with the voice of solitude. 

1st Monk. Be it so. 
In ciTielty of mercy will we leave thee. 

[Exemit Monks into the Cavern, r. u. e. 
Ber. If they would go in ti'uth — ^but what avails it ? 
[Meditates in gloomy reflection for some minutes, and 
his countenance sl'owly relaxes from its stern expres- 



Enter Prior, unobserved, from the Cavern — he stands op- 
posite Bertram i7i an attitude of supplication, ivho, see- 
ing the Prior, assumes his former sternness. 

Ber. (l. c.) Why art thou here ? There was a hover- 
ing angel 
Just lighting on my heart, and thou hast scared it. 

Prior, (r.) Yea, rather with my prayers I'll woo it 
back. 



Scene III.] BERTRAM. 47 

In very pity of tliy soul I come 

To weep upon that heart I cannot soften. [Along pause. 

Oh ! thou art on the verge of awful death — 

Think of the moment, when the veiling scarf 

That binds thine eyes, shall shut out earth forever ; 

When in thy dizzy ear hurtles the gi'oan 

Of those who see the smiting hand upreared, 

Thou canst but feel — that moment comes apace. 

[Bertra77i smiles. 
But ten'ors move in thee a horrid joy, 
And thou art hardened by habitual danger 
Beyond the sense of aught but pride in death. 

[Be?-ira?n turns away. 
Can I not move thee by one pov.^er in nature % 
There have been those whom Heaven hath failed to move, 
Yet moved they were by tears of kneeling age. [Kneels. 
I waive all pride of ghostly power o'er thee — 
I lift no cross, I count no bead before thee — 
By the locked agony of these withered hands, 
By these white hairs, such as thy father bore, 
(Whom thou could'st ne'er see prostrate in the dust,) 
With toil to seek thee here my limbs do fail ; 
Send me not broken-hearted back again ; 
Yield, and relent, Bertram, my son ! my son ! 

[ JVce_pi7ig — fhe?i looking up eagerly. 
Did not a giacious tear bedew thine eye ? 

Ber. Perchance a tear had fallen, hadst thou not mark- 
ed it. 

'Prior. [Risi?ig ivitli dignity.^ 
Obdurate soul ! — then perish in thy pride ! 
Hear in my voice thy parting angel speak, — 
Repent — and be forgiven ! [Crosses, l. 

[Bertram turns towards Mm with strong emotion, tclien 
a shriek is heard from the Cavern — Bertram stands 
fixed in horror. 

Prior. [Stretching out his hands toivards the Cavern.^ 
Plead thou for me ! — thou ! — whose wild voice of hoiTor 
Has 2:)ierced the heart my prayers have failed to touch. 

Ber. [ Wildly.] What voice was that ? — yet do not dare 
to tell me — 
Name not her name, I charge thee ! 

Prior. Tmogrine — 



4S EKRTRAM. [Act V 

A maniac through these shuddering woods she wanders, 
But in her madness never cursed thy name. 

\A s7ir?ek is heard from the Cavern — Bertram at- 
tempts to rush towards it, hnt stands stupefied — 
Imogine rushes from it in distraction, bursting from 
the arms of Clotilda — they are followed hy Monks 
and Knights, who remain at the hack. 
Imo. Away — away — away ! — no wife — no mother ! 
\Rushcs forward till she meets Bertram, who stands 
in siieechless horror. 
(r. c.) Give me my husband — give me back my child — 
Nay, give me back myself! 
They say I'm mad, but yet I know thee well. 
Look on me : they would bind these wasted limbs — 
I ask but death — death from thy hand — that hand 
Can deal death well, and yet thou wilt not give it. 

Ber. (i..) \(jraziiig at her for a moment, then rushing to 
the Vrior, and sinhing at his feet. ^ 
Who hath done this ? Where are the racks I hoped for? 
Am I not weak 1 am I not humbled now ? 

[Grorelling at the Prior^s feet, and then turning to 
the Knights. 
Hast thou no curse to blast — no curse for me ? 
Is there nf> hand to pierce a soldier's heart 1 
Is there no foot to crush a felon's neck ? 

Imo. [Raisi??g herself at the sound of his roice.] 
Bertram ! 

Ber. Imogine ! — Imogine ! — Imogine ! 

[He rushes towards her, and> repeats " Imogine" fee- 
bly ; as he approaches, he utters her name again, 
2^assionately ; he draws nearer, and seeing her looks 
of madness and desperation, repeats it once more in 
despair, hut dares not apirroach her, till, perceiving 
her falling into Clotilda^ s arms, he catches her in 
his. 
Imo. Have I deserved this of thee ? 

[She dies slowly, with her eyes fixed on Bertram, who 
continues to gaze on her, unconscimis of her having 
expired. 
Prior. 'Tis past. [To the Monl{s.\ Brethren, remove the 
corse. [The Knights and Monks ad ranee — Bertram 
wares them off, still supporting the body. 



Scene III.] 



BERTRAM. 49 



Ber. [Starting up.] She is not dead — 
She must not, shall not die, till she forgives me ! 

[Kneeling to the corse. 
Speak — speak to me ! [ Turning to the Monks. 

Yes, she will speak anon. 

[A long pause — he drops on the corse. 
She speaks no more. — Why do ye gaze on me 1 
I loved her — yea, I love — ^in death I love her — 
I killed her, but I loved her. 
What arm shall loose the gi'asp of love and death 1 

[The Knights and Monks surround, and attempt to 
tear 'Bertram from the hody — he snatches a sword 
from one of the Knights, who retreats in terror, as 
it is pointed at him — Bertram, resuming all his for- 
mer sternness, hursts into a disdainful laugh. 
Thee ! — against thee ! — Oh, thou art safe, thou worm ! 
Bertram hath but one fatal foe on earth — 
And he is here ! [Stabs himself. 

Prior. [R^ishing forward.] He dies — ^he dies ! 
Ber. [Struggling with the agonies of death.] 
I know thee, holy Prior — I know ye, brethren — 
Lift up your holy hands in charity. 

[ With a burst of wild exultation. 
I died no felon death — 
A warrior's weapon freed a wanior's soul. [Dies. 

DISPOSITION OF THE CHARACTERS AT THE FALL OF 
THE CURTAIN. 

Knights. Knights. Knights. 

Monks. Monks. 

Clotilda. 

Bertram. 
Imogine. 
First M. Second M. Prior. Third M. 

R.] [L. 

THE END. 



^ 



BERFORD 56 CO.^S 

Cheap Book Establishment, 

NO. 2 ASTOR HOUSE. 

BERFORD & CO. have constantly for sale all the 
Cheap Publications of the day, which they offer whole- 
sale and retail at the lowest prices. 

They likewise have for sale and receive subscriptions 
for Foreign and American Newspapers, as follows : 



FOREIGN. 




The Four Forei^ Quarterlies, in- 


" Punch, 


5 00 


cluding Blackwood, $10, or 


Times, 


9 00 


separately, $2 for the Quar- 


Despatch 


9 00 


terlies, and $3 for Blackwood. 


Packet, 


9 00 


Price per Year. 


Bell's Life in London, 


9 OO 


The London World of 


Douglas Jerrold's Paper, 


9 00 


Fashion $10 00" 


The Satirist, 


9 00 


Hewitt's Journal — London 


The Dublin Nation, 


9 00 


Edition, 3 00 


The Freeman's Journal — 




The People's Journal, 3 00 


Dublin, 


9 00 


The Illustrated London 


Wilmer and Smith's Euro- 




News, 9 00 


pean Times, 


6 00 


" Pictorial Times, 9 00 






AMER 


ICAN. 




LittelPs Living Age, weekly 6 00 


The Anglo American, 


4 00 


Eclectic Magazine, monthly, 5 00 


The New World, 


2 00 


Hunt's Merchant's Magazme, 5 00 


The Old Countryman, 
The American Tribune, 


3 00 


Knickerbocker, " 5 00 


3 00 


N. Y. Whig Review, " 5 00 


The Home Journal, 


2 00 


Democratic Review, " 3 00 


Yankee Doodle, 


3 00 


Godey's Lady's Book, " 3 00 


The Omnibus, 


2 00 


Graham's Magazine, " 3 00 


The Anglo Sacsun, 


2 00 


The Columbian Magazine, 


The Philadelphia Saturday 




monthly, 3 00 


Courier, 


2 00 


The Union Magazine, 


Philadelphia Neal's Gazette 


2 00 


monthly, 3 00 


Philadelphia Evening Post, 


2 00 


Ladies' National Magazine, 2 00 


Flag of the Free, 


2 00 


The American Flora, 3 00 


The Yankee. 


2 00 


The Parlor Magazine, 2 00 


Yankee Blade, 


2 00 


The Albion, weekly, 6 00 


Police Gazette, 


2 00 


Spirit of the Times, weekly, 5 00 


The Flag of Our Union, 


2 00 



Persons in any part of the United Spates or Canada, remit- 
ting the price of any publication, post-paid, may depend upon 
receiving the same by return of mail ; or by remitting the price 
of subscription to any Magazine or Newspaper, will receive the 
same regularly as soon as issued. 



LIBRARY OF CONGRESS 




014 526 454 6 



MODEM STANDARD DRAMA: 

EDITED BY EPES SARGENT, 
Price only 12 1-2 Cents each. — Already published, 



1. Ion. I 5. The Wife; a Tale of Mantua. 

— 2. Fazio; or, The Italian Wife. | 6. The Honey Moon. 
*- 3. The Lady of Lyons. 'V 7. The School for Scandal. 

-^4. Richelieu ; or, The Conepiracy J 8. Money, 

J^P* Vol I., handsomely bound in Mvslin, contains a Portrait and 
Memoir of Mrs. A. C. MO WATT. Price One Dollar. 



'- 9. 

—10. 

••11. 

12. 



—2.5. 
26. 

27. 
28. 



VOL. II. 

13. The Gamester. 

14. A Cure for the Heartache. 
The Hunchback. 



The Stranger. " 
Grandfather Whitehead, 
Richard III. ^ --j-lS. Tl 

Love's Sacrifice. | 16. Don Caesar De Bazan. 

With a Portrait and Memoir of MR. CHARLES KEAN. 

•VOL. III. 

The Poor Gentlemjin. 91. Pizarro. 

Hamlet. 22! The Love-Cbaae. 

Charles II. ; or the Merry 23. Othello. 

Monarch. 24. Lend Me Five Shilling. 

Venice Preserved. 

IVilh a Portrait and Memoir of Mr. W.J^. BURTi 

■■' ¥bL. IV. 

Virginias. 

The King of the Commons. 

London Assurance. 

The Reut-Day. 



29. Two Gentlemen of Verona. 

30. The Jealous' Wife. 

31. The Rivals."*i|^ 



32. Perfection. 
With a Portrait and Memoir of Mr. J. H. HACKETT. 



33. A New Way to Pay Old Debts. 

34. Look Before You Leap. 

35. King John. 

36. The Nervous Man. 



37. Damon and Pythias. 

38. The Clandestine Marriage. 

39. William TeU. 

40. Day After the Weddiag. 



With a Portrait and Memoir of GEORGE COLMAN the Elder. 



41. Spe^d the Plough. 

42. Romeo and Juliet. 

43. Feudal Times. 

44. Charles the Twelfth. 



The Bridal. 

The Follies of a Night 

The Iron Chest* 



With a Portrait and Memoir of Sir E. BULWER LYTTON. 



49. Road to Ruin. 

50. Macbeth. 

51. Temper. 

52. Evadne. 



TOL. VI 1. 

53. 

54. 
55. 
56. 



BERFORD & CO., 2 Astor House, N.Y, 



